Editions 2021
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Anna Bart
Anna Bart, Untitled (candy wrapper) (2021), Künstlerhaus Bremen 2021, Photo: Fred Dott
Anna Bart’s painted still lifes are portraits of everyday objects or spaces. The real object is only the point of departure, not the goal in the sense of a truthful depiction. Bart takes the thing away from its starting point and translates it into something new by means of painting. Oblique lines and idiosyncratic perspectives, as well as the absence of cast shadows, turn the objects into small, utopian architectures. The objects (in the two paintings Bart has provided as annual gifts) are packaging for food, however, she uses brushstrokes, paint application, and line work to translate them into whimsical little spaces through perspective. Bart has been working in one of the studios at Künstlerhaus Bremen since 2015.
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*Untitled (tea packaging)*, 2021 *Untitled (Candy wrapper)*, 2021
Oil on architectural paper
44 x 35 cm each,
2 unique pieces
each 550 € incl. framePrice: €550Out of print
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Aleana Egan
Aleana Egan, Paddle (iron-oxide) (2021), installation view, Künstlerhaus Bremen 2021, Photo: Fred Dott
Aleana Egan, Paddle (iron-oxide) (2021), Künstlerhaus Bremen 2021, Photo: Fred Dott
Aleana Egan, Paddle (iron-oxide) (2021), Künstlerhaus Bremen 2021, Photo: Fred Dott
Aleana Egan, Paddle (iron-oxide) (2021), Künstlerhaus Bremen 2021, Photo: Fred Dott
×In her exhibition small field, Aleana Egan presented an interplay of abstract sculptural elements. In multi-layered constellations, materials such as wood, metal, pigment, and fabric come together to reveal moments of a process. This is also the case in the work Paddle (iron-oxide), which comes from a group of assemblages that Egan has been steadily developing since 2019. Inspired by the materiality and form of a shell-shaped women’s handbag made of stiffened linen and pigmented papier-mâché – that Egan saw at the Museum of Decorative Arts in Berlin – this edition was created with a low relief surface. Here Egan refers to Adolf Göller’s idea that our delight in pleasing forms comes from the mental effort to shape their memory.
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Paddle (iron-oxide), 2021
polystyrene, papier-mâché, gesso, pigment
17 x 13 x 3 cm
edition: 3
850 € eachPrice: €850Order
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Irina Gheorghe
Irina Gheorghe, Things of Wich We Cannot Say (2021), Jahresgaben 2021, installation view, Künstlerhaus Bremen 2021, Photo: Fred Dott
Aleana Egan, Paddle (iron-oxide) (2021), Künstlerhaus Bremen 2021, Photo: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Photo: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Photo: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Foto: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Photo: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Photo: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Foto: Fred Dott
Irina Gheorghe, Things of Wich We Cannot Say (2021), Künstler:innenhaus Bremen 2021, Photo: Fred Dott
×The tape collages from the series Things of Which We Cannot Say (2017–ongoing) form a starting point for Irina Gheorghe’s research on non-perceptible realities. They appear to be diagrams for a secret science, cartographies or floor plans for unknown spaces. The formally rigorous “tape drawings” – as the artist calls them – are composed of rectangular areas of color. Gheorghe has developed a scheme in which every color represents a different category of absence. She draws these maps as preliminary studies for her performances: they are scores, or notations, for the construction of imaginary spaces. Gheorghe’s installation of drawings, painted panels, collages and photographs, and performances were presented at the Künstlerhaus in the fall of 2021.
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Things of Which We Cannot Say, 2021
Klebeband auf Papier
50 x 35 cm
8 Unikate
je 600 € mit RahmenPrice: €600Order
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