Editions 2024

• Julia Lübbecke

  

  

  Julia Lübbecke, Untitled, 2022

  Julia Lübbecke, Evelyn Posamentier in Gyn/Ecology by Mary Daly, 1978, 2022

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  In her artistic practice, Julia Lübbecke examines the relationships between body, institution and affects, as in her installative work Weiche Knie (2021-ongoing). In this work, Lübbecke combines content from her research in queer-feminist archives on the topic of care with her own photographs and adresses relationships and forms of touch that we need and desire in order to enable other forms of caring.
  Two of her photographs, Untitled (2022) and Evelyn Posamentier in Gyn/Ecology by Mary Daly, 1978 (2022) are currently available as a Jahresgabe/Edition at KH Künstler:innenhaus Bremen. Lübbecke was part of the group exhibition Reproductive Matters at the KH Künstler:innenhaus Bremen in 2024, curated by Nadja Quante.

  Untitled is part of a series in which Lübbecke continuously develops and stages gestures together with people close to her, such as friends or allies. She develops these based on the question of which postures, movements and relationships are desired and needed in moments of vulnerability.

  The second photograph, Evelyn Posamentier in Gyn/Ecology by Mary Daly, 1978, is a photograph of the poem Sharon, in the Field by Evelyn Posamentier. The quote poetically reflects the violent impact of misogynistic medicine in the field of psychology. The poem first appeared in the magazine Chrysalis, a formative publication of so-called second wave feminism in the USA, where Audre Lorde worked as poetry editor for the poetics section. Feminist movements of the 1970s and 80s are closely interwoven with resistance to, and the visualization of, violence against female bodies in conventional medicine. In response to this, feminist health centers were founded and self-help practices developed. In the photograph, Posamentier’s poem is quoted from the book Gyn/Ecology by Mary Daly.

  • Untitled, 2022

    Part of the Work Weiche Knie (2021–Ongoing)
    Archival Pigment Print on Hahnemühle Hemp
    42 x 28 cm
    Edition: 3/8 + AP

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  • Evelyn Posamentier in Gyn/Ecology by Mary Daly, 1978, 2022

    Part of the Work Weiche Knie (2021–Ongoing)
    Archival Pigment Print on Hahnemühle Hemp
    42 x 28 cm
    Edition: 3/8 + AP

    Price: €300 each / €500 for both motifs

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• Ana Navas

  

  In her works, Ana Navas explores the history of the creation and development of design and art objects. Two of Navas works were included in the group exhibition Reproductive Matters in the Künstler:innenhaus gallery in 2024.. The unique piece Bleistiftbart (negative) (2021) from the same series of works, which she provided as a Jahresgabe/Edition for the Künstler:innenhaus, plays with the transformation and imitation of works of art: their original forms and visual language(s) flow through numerous translations into design and everyday objects. The motif of the fabric is adapted from abstract paintings by Wassily Kandinsky. Navas copied the back of the fabric by hand, creating a kind of negative. The shape of the fabric is based on the design of detergent bottles and serves as a projection template for figurative associations. Navas sees her work as a ‘manual imitation of this industrial labor’ and as a return to the (original) materiality. By contrasting industrially produced fabric patterns with handpainted imitations of the same patterns, her practice negotiates ideas of accessibility, commodification, imitation and appropriation of images.

  • Bleistiftbart (negativ), 2021

    Industrial fabric and hand-painted copies of the samples
    70 x 18 cm
    Unique

    Price: €2000

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• Norman Neumann

  

  On the record sit.#1 (n.n. proceeds from the clash of opposites.) (2024), the artist Norman Neumann combines three of his improvised live performances 2023-2024 into a new sound work. The live performances took place in the Spelunke in Leipzig, the MS Stubnitz in Hamburg and in the Kulturbunker in Bremen – three alternative locations for networking, experimentation and utopia.
  Neumann generates the sounds live, on self-built instruments, in order to intuitively and situationally interweave, deform, destroy and rebuild them over the course of the performance.
  The work, made exclusively for the KH Künstler:innenhaus as a Jahresgabe/Edition, allows the three improvised pieces to be experienced after the live performances.

  The photograph printed on the picture disc was taken by Neumann during an event in the Anachronism series on 9 November 2016. The Anachronism series of events was initiated by Neumann in collaboration with artists and musicians Casper Munk Engelung and Gustavo Méndez López, and took place in Bremen and Hamburg between 2016-2024. For Neumann, Anachronism has been an important source of inspiration in the development of his own sound.
  Similar to the sounds in his live performances, Neumann combines the photography with the sound on the record in a personal and intuitive way.

  Since 2018, Norman Neumann has been working in his studio at KH Künstler:innenhaus Bremen.

  • sit.#1 (n.n. proceeds from the clash of opposites.), 2024

    12” Vinyl Picture Disc (single sided audio), wood, metal
    30,48 cm x 30,48 cm x ca.5 cm
    Audio, Stereo, 16:56 min
    Unique

    Price: €600

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